Step 1: We start with a relatively minimal track. Effects-wise, there are separate auxiliary delays on the bass and percussion stab, a lengthy reverb on the ‘Lost In The Fog’ pad and a wandering auto-pan treatment on the bounced Geist loop.

Step 1: We start with a relatively minimal track. Effects-wise, there are separate auxiliary delays on the bass and percussion stab, a lengthy reverb on the ‘Lost In The Fog’ pad and a wandering auto-pan treatment on the bounced Geist loop.

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